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Two Seniors Awarded Scholarships, Frederic Chrislip and William J. Davis.

Photograph taken for a story in the Oklahoma Times newspaper. Caption: "Two Oklahoma City high school seniors are among four students awarded four-year scholarships to the colleges of their choice by Kerr-McGee oil Industries, Inc." Young man wearing glasses, a white graduation gown and a tie. Mr. Chrislip chose to attend Northwestern University in Evanston, Illinois and major in music. Mr. Davis chose to attend Creighton University in Omaha, Nebraska and major in education. [“Frederic Chrislip was born and raised in Oklahoma. He was awarded a National Merit Scholarship and graduated from the School of Music at Northwestern University in Evanston, Illinois. At the beginning of his sophomore year, he joined the Chicago Symphony Chorus, where he received some of his most valuable training and filled his ear with the highest levels of music performance. When the orchestra and chorus prepared the Bach St. Matthew Passion, Sir Georg Solti chose Chrislip from the chorus for the small solo role of False Witness. (Is he the only person who both sang and played solos under Solti with the Chicago Symphony?) Chrislip left the Chicago Symphony Chorus after seven seasons and almost immediately began an eleven-year relationship as first-call guitarist for the Chicago Symphony Orchestra, which continued even though he soon moved to New York to advance his recital career. Around this time, he performed some sixty solo recitals in twenty states, singing classical repertoire while accompanying himself on guitar. He also participated in four recordings with the Chicago Symphony under Sir Georg Solti, James Levine, and Claudio Abbado. He has had many opportunities to play Mahler’s Symphony No. 7: on guitar with the New York Philharmonic and the symphonies of Chicago and Pittsburgh; and on mandolin with Rochester, Syracuse, Cleveland, and Boston, including a recording under Seiji Ozawa. He has played mandolin and saw for George Crumb’s Ancient Voices of Children with the New York Philharmonic and the Chicago Symphony, both under Zubin Mehta. He has played at Carnegie Hall as an extra player with the orchestras of Philadelphia, Chicago, Cleveland, and Pittsburgh. Other orchestras with which he has played include Brooklyn, Minnesota, Phoenix, Seattle, St. Louis, and the Santa Fe Opera. He has played in master classes under Christopher Parkening, Alice Artzt, and John Duarte. In 1995 Chrislip was selected as an artist fellow for the Bach Aria Festival and Institute, singing arias from Bach cantatas. He has also studied singing in two seasons at Tanglewood and in master classes at the Scotia Festival, Westminster Choir College, and Oberlin College under John McCollum, Martin Katz, Dalton Baldwin, and Richard Miller. He now performs solo songs accompanying himself on the lute in recital and at early music festivals, where he receives coaching from top figures in the early music world.” https://www.fredericchrislip.com/]

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Source context

Downloaded visible Gateway metadata export for this guitarist research row. Source: Oklahoma Times, Oklahoma City, Oklahoma Collection code: OKPCP. Institution code: OKHS. Place/context: United States - Oklahoma - Oklahoma County - Oklahoma City Creation data: 1964-05-14 Creator: Unknown in captured visible metadata. Physical description: 1 photograph Provided by: Oklahoma Historical Society or visible Gateway partner; see item page. Identifier: 2012.201.B0224.0815 Subjects: Business, Economics and Finance - Journalism; Chrislip, Frederick; John Marshall Student; Oklahoma Times photographs; CHRISLIP, FREDERICK / JOHN MARSHALL STUDENT. Search window: exact guitarist-plus-Oklahoma advanced search.

Oklahoma connection

The visible record was selected from the exact guitarist-plus-Oklahoma result set because it establishes a band, instrumentalist, instrumental ensemble, orchestra, or related Oklahoma music context. No identity merge or canonical promotion is asserted.

People, groups, or instruments recorded

guitarist / string-instrument / band and instrumental music context

Reading this source

Only the visible Gateway metadata export, item-page caption/article summary, and captured rendered page image bundle are represented here; identity, exact Oklahoma relationship, duplicate/lineage status, full article text, cultural protocol, and republication rights require separate review. Per-page local hashes are recorded in the Markdown record.

Sources

  1. gateway.okhistory.org/ark:/67531/metadc226300/